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Uzbekistan · Meet the Masters

You don't simply see the craft.
You meet the person keeping it alive.

Across Uzbekistan, ancient crafts are kept alive not by museums alone, but by people — artists, weavers, potters, carvers and makers whose knowledge has travelled through generations. Ambassador opens the door to their world.

01 · Bukhara · Gold embroidery

Nodir Rasulov

A master of traditional gold embroidery whose career began in 1973. He studies historical patterns and museum archives — and prepares the gold threads for his work with his own hands.

Nodir Rasulov, master of gold embroidery, Bukhara
Hands laying gold thread on indigo velvet

Gold thread on indigo velvet · the pattern is drawn from museum archives

Gold-embroidered ceremonial robe

A ceremonial robe can carry months of work — and centuries of pattern.

02 · Khiva · Wood carving

Odamboy Masharipov

A Khiva woodcarver who learned through his father and trained with master Khaytmat Bogbekov. His work ranges from furniture to architectural gates and columns.

Carving tools and ornamental woodwork

Every line is cut by hand · the Khiva school of ornament

Odamboy Masharipov in his workshop

The master in his workshop — the Khiva school lives through his hands.

Carved wooden model of Khiva

Khiva itself — carved in wood

Sabina Burkhanova among silk carpets

03 · Bukhara · Silk carpet weaving

Sabina Burkhanova

A fifth-generation silk carpet maker. Some of her carpets take up to two years to complete — a family tradition carried forward through a living workshop.

Silk carpet pattern in detail

Knot by knot · up to two years for a single carpet

Hands at the loom

At the loom

04 · Tashkent · Ceramics

Akbar Rakhimov

A multigenerational ceramic master whose knowledge of geology and archaeology deepened his understanding of clay, minerals and pigments.

Akbar Rakhimov at the potter's wheel
Hands shaping clay on the wheel The ceramics studio in morning light Finished vessels

Clay, minerals, pigments — and four generations behind the wheel

05 · Bukhara · Ceramic art

Abdulvakhid Bukhori

Revives the traditional blue ceramics of 18th-century Bukhara. His practice connects museum research, archaeology, restoration and contemporary ceramic work.

Abdulvakhid Bukhori with his ceramics
Hands glazing a bowl Workbench with ceramic relief The kiln, loaded with vessels

Museum research, archaeology, restoration — the blue of Bukhara, recovered

06 · Samarkand · Handmade mulberry paper

The Paper Makers of Samarkand

Zarif & Islam Mukhtarov, the brothers behind the Meros workshop, revived the centuries-old Samarkand tradition of handmade paper from mulberry fibre. Meros also supports restoration and traditional paper arts.

Mulberry fibre pressed by hand

Mulberry fibre, pressed by hand

A sheet of Samarkand paper drying in the light

A sheet of Samarkand paper, drying in the light

Meet the Masters

There are more masters than one page can hold.

Some doors are not found on a map.
We open them through people we know.

Each encounter is arranged privately and confirmed in conversation — never as a catalogue. Photography: real masters, real workshops, supplied for the Ambassador project.